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INVISIBLE LIGHT

 

 Covers Project

It’s been a long time since I’ve posted anything here, but in light of the unexpected interest in my music of late (I’m still laughing), I figured I’d report that I’ve been working on an album of covers I hope to finish this summer.

The intent is to pay homage to the songs I’ve played again and again over the years, often alone at the piano. I want to capture my love for the songs that have shaped me as a songwriter and deepened my relationship with music. Hopefully, the result sparks some love for these songs in new listeners.

Some of you have heard me cover some of these songs, a few of which have appeared on set lists for shows since as far back as high school: Counting Crows’ “Rain King,” Tracy Chapman’s “Fast Car,” Radiohead’s “There, There,” Ryan Adams’ “Oh My Sweet Carolina,” and Ben Folds Five’s “Narcolepsy.” The more recent ones include Joni Mitchell’s “Both Sides Now,” Tallest Man on Earth’s “The Wild Hunt,” Bon Iver’s “Re: Stacks,” and Andrew Bird’s “Orpheo.”

I’m still working on the final list, which will include songs I’ve never performed live (maybe Blake Mills’ “Curable Disease,” Josh Ritter’s “Thin Blue Flame,” and Fleet Foxes’ “Helplessness Blues”). I’m also figuring out whether to record simple solo versions that reflect my personal experience with the songs or add a band and orchestration to explore the beautiful depths and possibilities I find in them.

I’d love to hear what you’d find meaningful in this project. Let me know through my Instagram account, @jameseganmusic.

Cover

 

Invisible Light

Download today at iTunes, Bandcamp, Amazon, or CDBaby.

Stream on Spotify, Apple Music, SoundCloud, and other platforms.

 

CREDITS

My new album Invisible Light (available here) is a different animal than past efforts. They've been much leaner affairs. I recorded them in amateur home studios and played most of the instruments myself. For Invisible Light, I recorded in professional studios and collaborated with many talented friends. This list of those friends isn't exhaustive (I'll be adding to it), but it's part of my meager thanks to those who made major contributions.

JAMES EGAN | SONGWRITERI wrote the songs for Invisible Light, and I'm on piano, keyboards, and lead vocals. My main influences are Captain Geech and the Shrimp Shack Shooters and the great Del Paxton.

JAMES EGAN | SONGWRITER

I wrote the songs for Invisible Light, and I'm on piano, keyboards, and lead vocals. My main influences are Captain Geech and the Shrimp Shack Shooters and the great Del Paxton.

BEN SORENSEN | PRODUCERBen is helping me produce the album. There's absolutely no way I could do it without him. In addition to engineering all the sound for the album, he's playing bass and some guitar. 

BEN SORENSEN | PRODUCER

Ben is helping me produce the album. There's absolutely no way I could do it without him. In addition to engineering all the sound for the album, he's playing bass and some guitar. 

CHAD CANNON | STRINGS/HornsChad arranged the strings and horns for the album. I have no business having his help. He's a Juilliard-trained composer who has worked on much bigger and better projects than this one. 

CHAD CANNON | STRINGS/Horns

Chad arranged the strings and horns for the album. I have no business having his help. He's a Juilliard-trained composer who has worked on much bigger and better projects than this one. 

AARON ANDERSEN | DRUMsWe're very lucky to have Aaron, too. He drums for Fictionist, Utah's most talented young rock band. Aaron's jazz-rock style complements the piano-led songs on the album excellently.

AARON ANDERSEN | DRUMs

We're very lucky to have Aaron, too. He drums for Fictionist, Utah's most talented young rock band. Aaron's jazz-rock style complements the piano-led songs on the album excellently.